Overview
This month’s challenge is all about improving your listening skills as a classical guitarist. Each week, we’ll focus on different listening tools to help you:
- Sharpen your ear
- Understand musical and technical choices
- Deepen your appreciation of polyphony and thematic development
- Set higher musical expectations through broader listening
Week 1: Listening to Guitar Performances
Focus: Listening to classical guitar recordings to observe and discuss musical and technical choices.
Goals:
- Develop listening habits specific to the guitar
- Learn to identify expressive tools: tone color, dynamics, articulation, timing
- Engage critically with interpretation
Call to Action:
- Listen to Alvaro Pierri’s recording Villa-Lobos: Chôros No. 1, 12 Etudes, 5 Preludes.
- Share observations in the Guided Listening Member Challenge Forum: musical choices, expressive elements, and technical execution
Replays:

Week 2: Original Instrumentation of Guitar Repertoire
Focus: Listening to works from the guitar repertoire played on their original instruments.
Goals:
- Set new aural benchmarks (legato, dynamics, sustain)
- Avoid being limited by the guitar’s natural constraints
- Aspire to greater musical expression
Call to Action:
- Listen to the provided curated playlist of original-instrument performances below (we will expand this):
- J.S. Bach, Prelude from 1st Cello Suite (BWV 1007), Jian Wang (cello)
- –> Kazuhito Yamashita (guitar)
- J.S. Bach, Prelude from 2nd Cello Suite (BWV 1008), Yo-Yo Ma (cello)
- –> Dave Belcher (guitar)
- J.S. Bach, Allemande from BWV 996, Gustav Leonhardt (keyboard)
- –> Sean Shibe (guitar)
- Isaac Albéniz, Mallorca, Alicia de Larrocha (piano)
- –> Simon Powis (guitar)
- Enrique Granados, La Maja de Goya from 12 Tonadillas, Alicia de Larrocha (piano) and Eva Lorengar (voice)
- –> Julian Bream (guitar)
- J.S. Bach, Prelude from Prelude, Fugue, and Allegro (BWV 998), Wanda Landowska (piano)
- –> Kevin Gallagher (guitar)
- G.F. Handel, Chaconne in G Major HWV 435, Trevor Pinnock (keyboard)
- –> Ida Presti and Alexandre Lagoya (guitars)
- Astor Piazzolla, Verano Porteño, Piazzolla Quintet
- –> Baltazar Benitez (guitar)
- Astor Piazzolla, Escualo, Piazzolla Quintet
- –> Victor Villadangos (guitar)
- Reflect on what qualities you might bring into your own guitar playing in the Guided Listening Member Challenge Forum
Replays:
Week 3: Guitar & String Quartets with Scrolling Scores
Focus: Studying string and guitar quartets using scrolling score videos.
Goals:
- Track melodic themes and how they pass through different voices
- Strengthen voice recognition in a visual + aural context
- Practice analytical listening skills
Call to Action:
- Watch provided scrolling score videos of quartets not discussed in live sessions
- Use IMSLP-provided scores to follow along:
- Identify voices, voice leading, and thematic development on your own or discuss in the Guided Listening Member Challenge Forum
Replays:
Week 4: Orchestral Works with Scrolling Scores
Focus: Analyzing orchestral music with scrolling scores, applying what you’ve learned in a more complex context.
Goals:
- Recognize themes as they travel across multiple instruments
- Understand orchestral texture and how it relates to classical guitar arrangements
- Improve ability to identify voice structure in dense musical settings
Call to Action:
- Study orchestral scrolling score videos + reference scores (IMSLP)
- Wolfgang Amadeus Mozart, Symphony in Gm K.550
- Franz Schubert, Unfinished Symphony
- Giacchino Rossini, “Assisa a pie d’un Salice” from Otello
- Mauro Giuliani, Rossiniana No.1, Op.119
- Josef Haydn, “Surprise” Symphony No.94
- Ludwig van Beethoven, Symphony No.4
- Wolfgang Amadeus Mozart, “O Isis und Osiris” from Die Zauberflöte
- Fernando Sor, No.6, Grand’Isi, grand’osiri from Six Airs Choisi de l’opera de Mozart “Il flauto magico,” Op.19
- Igor Stravinsky, “Le Ronde des princesses” from The Firebird Suite (1919)
- Follow thematic development through sections
- Reflect on how these ideas relate to voice separation in guitar music in the Guided Listening Member Challenge Forum
Replays:
Big Picture Goal
By the end of the challenge, you’ll be better equipped to:
- Hear independent voices in guitar music
- Set higher expressive standards for your own playing
- Build a lifelong habit of active, analytical listening
Format
Each week we will host two different weekly live sessions over Zoom, one hosted by Simon, another by Dave. While each weekly session will touch on similar aspects of listening, we will actually listen to different pieces of music. You are welcome to attend either one or both, as you are able. Replays of each session will be uploaded to the Guided Listening Member Challenge Forum.
You do not need to sign up to participate. All Academy members are welcome!
Schedule
- Week 1: Listening to Guitar Performances
- November 4 @7pm NYC time with Simon
- November 7 @2pm with Dave
- Week 2: Original Instrumentation of Guitar Repertoire
- November 11 @7pm NYC time with Simon
- November 14 @2pm with Dave
- Week 3: Guitar & String Quartets with Scrolling Scores
- November 18 @7pm NYC time with Simon
- November 21 @2pm with Dave
- Week 4: Orchestral Works with Scrolling Scores
- November 25 @7pm NYC time with Simon
- November 28 @2pm with Dave